Reading closely and citing evidence
Students start the year reading short stories and articles and learning to back up what they say with specific lines from the text. Expect them to point to a sentence or paragraph when they explain an answer.
This is the year reading shifts from understanding a story to weighing how an author built it. Students dig into why a writer picked one word over another, how a paragraph sets up the next one, and whether the evidence in an article actually holds up. Writing gets sharper too, with real arguments backed by quotes from the page. By spring, students can read a tough article and write a few paragraphs that defend a clear claim with evidence.
Students start the year reading short stories and articles and learning to back up what they say with specific lines from the text. Expect them to point to a sentence or paragraph when they explain an answer.
Students dig into how a writer builds a story or article. They track how a theme grows from start to finish and notice how word choice and the order of paragraphs shape the meaning.
Students write essays that take a position and defend it with reasons and evidence. They pull facts from several sources, check whether each source is trustworthy, and credit the authors instead of copying.
Students read two or more pieces on the same topic and weigh how each author treats it. They also compare a written text with a video or audio version and judge which one makes the stronger case.
Students give short talks with slides or visuals and adjust how formal their speech sounds based on the audience. They also revise earlier writing, sharpen the grammar, and publish a polished piece.
Students back up their ideas with direct quotes or details from the story. They also read between the lines to draw conclusions the author implies but never states outright.
Students find the main message of a story or poem, then trace how the author builds that message across key moments in the text. They also summarize the details that support it.
Students track how characters, conflicts, and ideas shift and connect as a story unfolds. They explain why those changes happen, not just that they happened.
Students figure out what a word really means in context, including when an author uses it to suggest a feeling or paint a picture. Then they look at why the author chose that word and what it does to the mood of the passage.
Students look at how a story or poem is put together, examining how a single sentence or paragraph connects to the sections around it and shapes the meaning of the whole piece.
Point of view is the lens a writer uses to tell a story or make an argument. Students look at how that choice shapes what gets included, what gets left out, and how the writing sounds.
Students compare what a story or poem says in words with how the same idea is shown in a film clip, audio recording, or image. They judge whether the different format adds to the meaning or changes it.
Students read an argument and decide whether the reasoning actually holds up and whether the evidence given truly supports the claim. This goes beyond spotting the main point; students judge whether the writer's logic is sound.
Students read two texts on the same theme or topic, then compare how each author handles it. The goal is to notice what's different about each writer's choices, not just what the texts share.
Students read full-length novels, short stories, and poems at the 8th-grade level on their own, without support. The focus is on building the habit of reading harder texts with real comprehension.
| Standard | Definition | Code |
|---|---|---|
| Cite Textual Evidence | Students back up their ideas with direct quotes or details from the story. They also read between the lines to draw conclusions the author implies but never states outright. | DC-ELA.RL.8.1 |
| Central Ideas | Students find the main message of a story or poem, then trace how the author builds that message across key moments in the text. They also summarize the details that support it. | DC-ELA.RL.8.2 |
| Analyze Development | Students track how characters, conflicts, and ideas shift and connect as a story unfolds. They explain why those changes happen, not just that they happened. | DC-ELA.RL.8.3 |
| Word Meanings | Students figure out what a word really means in context, including when an author uses it to suggest a feeling or paint a picture. Then they look at why the author chose that word and what it does to the mood of the passage. | DC-ELA.RL.8.4 |
| Text Structure | Students look at how a story or poem is put together, examining how a single sentence or paragraph connects to the sections around it and shapes the meaning of the whole piece. | DC-ELA.RL.8.5 |
| Point of View | Point of view is the lens a writer uses to tell a story or make an argument. Students look at how that choice shapes what gets included, what gets left out, and how the writing sounds. | DC-ELA.RL.8.6 |
| Integrate Diverse Media | Students compare what a story or poem says in words with how the same idea is shown in a film clip, audio recording, or image. They judge whether the different format adds to the meaning or changes it. | DC-ELA.RL.8.7 |
| Evaluate Arguments | Students read an argument and decide whether the reasoning actually holds up and whether the evidence given truly supports the claim. This goes beyond spotting the main point; students judge whether the writer's logic is sound. | DC-ELA.RL.8.8 |
| Compare Texts | Students read two texts on the same theme or topic, then compare how each author handles it. The goal is to notice what's different about each writer's choices, not just what the texts share. | DC-ELA.RL.8.9 |
| Range of Reading | Students read full-length novels, short stories, and poems at the 8th-grade level on their own, without support. The focus is on building the habit of reading harder texts with real comprehension. | DC-ELA.RL.8.10 |
Students read a nonfiction passage carefully, then back up their conclusions with direct quotes or specific details from the text. Guessing isn't enough; every claim needs a line from the source to support it.
Students read a nonfiction passage and identify its main point, then trace how that point builds across the text. They sum up the key details that back it up, in their own words.
Students trace how a person, event, or idea changes from the beginning of a nonfiction text to the end, and explain why those changes happen. The focus is on how the pieces connect, not just what they are.
Students figure out what a word means in context, including its technical definition, its emotional weight, or its figurative sense. Then they look at why the author chose that word and what it does to the feeling or meaning of the passage.
Students look at how a nonfiction piece is built. They explain how a single sentence or paragraph connects to the sections around it and to the article's main point as a whole.
Reading the same topic through two different sources, students figure out how an author's purpose or perspective changes what details get included, what gets left out, and how the writing sounds.
Students compare information across formats, such as a written article, a chart, and a video on the same topic, then judge which version makes the point most clearly.
Students read a nonfiction passage and decide whether the author's argument actually holds up. They check if the reasoning makes sense and if the facts or examples used are relevant to the point being made.
Students read two texts on the same topic and compare how each author approaches it. They look at what the authors agree on, where they differ, and what reading both texts together reveals that one alone would not.
Students read full-length articles, essays, and nonfiction books on their own, without support. The texts are challenging by design, and students are expected to understand them.
| Standard | Definition | Code |
|---|---|---|
| Cite Textual Evidence | Students read a nonfiction passage carefully, then back up their conclusions with direct quotes or specific details from the text. Guessing isn't enough; every claim needs a line from the source to support it. | DC-ELA.RI.8.1 |
| Central Ideas | Students read a nonfiction passage and identify its main point, then trace how that point builds across the text. They sum up the key details that back it up, in their own words. | DC-ELA.RI.8.2 |
| Analyze Development | Students trace how a person, event, or idea changes from the beginning of a nonfiction text to the end, and explain why those changes happen. The focus is on how the pieces connect, not just what they are. | DC-ELA.RI.8.3 |
| Word Meanings | Students figure out what a word means in context, including its technical definition, its emotional weight, or its figurative sense. Then they look at why the author chose that word and what it does to the feeling or meaning of the passage. | DC-ELA.RI.8.4 |
| Text Structure | Students look at how a nonfiction piece is built. They explain how a single sentence or paragraph connects to the sections around it and to the article's main point as a whole. | DC-ELA.RI.8.5 |
| Point of View | Reading the same topic through two different sources, students figure out how an author's purpose or perspective changes what details get included, what gets left out, and how the writing sounds. | DC-ELA.RI.8.6 |
| Integrate Diverse Media | Students compare information across formats, such as a written article, a chart, and a video on the same topic, then judge which version makes the point most clearly. | DC-ELA.RI.8.7 |
| Evaluate Arguments | Students read a nonfiction passage and decide whether the author's argument actually holds up. They check if the reasoning makes sense and if the facts or examples used are relevant to the point being made. | DC-ELA.RI.8.8 |
| Compare Texts | Students read two texts on the same topic and compare how each author approaches it. They look at what the authors agree on, where they differ, and what reading both texts together reveals that one alone would not. | DC-ELA.RI.8.9 |
| Range of Reading | Students read full-length articles, essays, and nonfiction books on their own, without support. The texts are challenging by design, and students are expected to understand them. | DC-ELA.RI.8.10 |
Students write a paragraph or essay that takes a clear position on a real topic or text, then back it up with solid reasoning and evidence from the source. The goal is to convince a reader, not just summarize.
Students write to explain a complex topic clearly, using facts and details to help a reader understand it. The focus is accuracy and organization, not opinion.
Students write a story, real or invented, with a clear sequence of events, specific details, and techniques that keep a reader engaged.
Students write a full piece where the structure, word choice, and tone fit the assignment. A story sounds like a story; an argument sounds like an argument. The writing makes sense to whoever is supposed to read it.
Planning and revising are part of writing, not just steps before it. Students strengthen their drafts by rereading, reworking weak sections, editing for clarity, or starting fresh when a new angle works better.
Students use computers and the Internet to write, publish, and share their work with an audience. That includes collaborating with other students on a piece of writing in real time.
Students pick a focused question and research it thoroughly, reading multiple sources to build real understanding. Short projects might last a day or two; longer ones stretch across weeks.
Students find information from books and websites, judge whether each source can be trusted, and weave the facts into their own writing without copying.
Students pull quotes and details from stories or nonfiction to back up their ideas in writing. The evidence has to fit the point they're making, not just fill space.
Students write often, in both quick assignments and longer projects, for different reasons and readers. Regular practice across many kinds of writing builds the habits that carry into every subject.
| Standard | Definition | Code |
|---|---|---|
| Arguments | Students write a paragraph or essay that takes a clear position on a real topic or text, then back it up with solid reasoning and evidence from the source. The goal is to convince a reader, not just summarize. | DC-ELA.W.8.1 |
| Informative Texts | Students write to explain a complex topic clearly, using facts and details to help a reader understand it. The focus is accuracy and organization, not opinion. | DC-ELA.W.8.2 |
| Narratives | Students write a story, real or invented, with a clear sequence of events, specific details, and techniques that keep a reader engaged. | DC-ELA.W.8.3 |
| Coherent Writing | Students write a full piece where the structure, word choice, and tone fit the assignment. A story sounds like a story; an argument sounds like an argument. The writing makes sense to whoever is supposed to read it. | DC-ELA.W.8.4 |
| Revision Process | Planning and revising are part of writing, not just steps before it. Students strengthen their drafts by rereading, reworking weak sections, editing for clarity, or starting fresh when a new angle works better. | DC-ELA.W.8.5 |
| Use Technology | Students use computers and the Internet to write, publish, and share their work with an audience. That includes collaborating with other students on a piece of writing in real time. | DC-ELA.W.8.6 |
| Research Projects | Students pick a focused question and research it thoroughly, reading multiple sources to build real understanding. Short projects might last a day or two; longer ones stretch across weeks. | DC-ELA.W.8.7 |
| Gather Information | Students find information from books and websites, judge whether each source can be trusted, and weave the facts into their own writing without copying. | DC-ELA.W.8.8 |
| Cite Evidence | Students pull quotes and details from stories or nonfiction to back up their ideas in writing. The evidence has to fit the point they're making, not just fill space. | DC-ELA.W.8.9 |
| Range of Writing | Students write often, in both quick assignments and longer projects, for different reasons and readers. Regular practice across many kinds of writing builds the habits that carry into every subject. | DC-ELA.W.8.10 |
Students come to a discussion having done the reading or prep work, then build on what classmates say instead of just waiting to talk. They make their own point clearly and back it up.
Students watch a video, study a chart, and listen to a speech on the same topic, then sort out which sources are reliable and how the information fits together.
Students listen to a speech or presentation and judge whether the speaker's argument holds up: is the reasoning sound, and does the evidence actually support what they're claiming?
Students organize a speech or presentation so the main point is clear and each piece of evidence connects to it. The structure, word choice, and detail level fit the topic and the people listening.
Students choose charts, images, or short video clips to make a point clearer during a presentation. The visual has to do real work, not just fill a slide.
Students practice switching between casual speech and formal English depending on the situation, such as a class presentation versus a hallway conversation. They learn to read the room and adjust how they talk.
| Standard | Definition | Code |
|---|---|---|
| Collaborative Discussions | Students come to a discussion having done the reading or prep work, then build on what classmates say instead of just waiting to talk. They make their own point clearly and back it up. | DC-ELA.SL.8.1 |
| Integrate Information | Students watch a video, study a chart, and listen to a speech on the same topic, then sort out which sources are reliable and how the information fits together. | DC-ELA.SL.8.2 |
| Evaluate Speaker | Students listen to a speech or presentation and judge whether the speaker's argument holds up: is the reasoning sound, and does the evidence actually support what they're claiming? | DC-ELA.SL.8.3 |
| Present Ideas | Students organize a speech or presentation so the main point is clear and each piece of evidence connects to it. The structure, word choice, and detail level fit the topic and the people listening. | DC-ELA.SL.8.4 |
| Use Visual Displays | Students choose charts, images, or short video clips to make a point clearer during a presentation. The visual has to do real work, not just fill a slide. | DC-ELA.SL.8.5 |
| Adapt Speech | Students practice switching between casual speech and formal English depending on the situation, such as a class presentation versus a hallway conversation. They learn to read the room and adjust how they talk. | DC-ELA.SL.8.6 |
Students apply standard English grammar rules in their writing and speaking. This means choosing the right verb forms, pronouns, and sentence structures without being prompted.
Students write with correct capitalization, punctuation, and spelling. This standard covers the mechanics that make writing readable, from knowing when to capitalize a proper noun to placing a comma in the right spot.
Students learn to notice how word choice and sentence style shift depending on the situation, then use that awareness to write more clearly and read more closely.
When students hit an unfamiliar word, they figure out what it means by reading the surrounding sentences, breaking the word into roots or prefixes, or looking it up in a dictionary or reference source.
Students explain what figurative language like metaphors and idioms actually means in context, and distinguish between words with similar meanings to pick the more precise one.
Students build a working vocabulary of precise, subject-specific words and use them accurately in reading, writing, and discussion. The goal is the level of language expected in high school and beyond.
| Standard | Definition | Code |
|---|---|---|
| Standard Grammar | Students apply standard English grammar rules in their writing and speaking. This means choosing the right verb forms, pronouns, and sentence structures without being prompted. | DC-ELA.L.8.1 |
| Spelling and Punctuation | Students write with correct capitalization, punctuation, and spelling. This standard covers the mechanics that make writing readable, from knowing when to capitalize a proper noun to placing a comma in the right spot. | DC-ELA.L.8.2 |
| Style | Students learn to notice how word choice and sentence style shift depending on the situation, then use that awareness to write more clearly and read more closely. | DC-ELA.L.8.3 |
| Word Strategies | When students hit an unfamiliar word, they figure out what it means by reading the surrounding sentences, breaking the word into roots or prefixes, or looking it up in a dictionary or reference source. | DC-ELA.L.8.4 |
| Figurative Language | Students explain what figurative language like metaphors and idioms actually means in context, and distinguish between words with similar meanings to pick the more precise one. | DC-ELA.L.8.5 |
| Academic Vocabulary | Students build a working vocabulary of precise, subject-specific words and use them accurately in reading, writing, and discussion. The goal is the level of language expected in high school and beyond. | DC-ELA.L.8.6 |
DC's spring summative test in reading and writing for grades 3 through 8, aligned to DC's Common Core-based ELA standards.
Alternate assessment for students with the most significant cognitive disabilities, given in grades 3-8 and high school in ELA, math, and science.
Federally administered sample-based assessment in reading, mathematics, science, and writing. NAEP results inform state-by-state comparisons rather than individual student or school accountability.