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What does a student learn in ?

This is the year music shifts from simple play to making real musical choices. Students start inventing short rhythms and melodies of their own, then practice them so a song sounds the way they meant it to. They listen to music and talk about how it makes them feel and what the composer might have wanted. By spring, students can perform a short song for the class and explain one choice they made while preparing it.

  • Singing and rhythm
  • Making up music
  • Performing songs
  • Listening skills
  • Music and feelings
Source: Maryland Maryland College and Career-Ready Standards
Year at a glance
How the year usually goes. Every school and district set their own curriculum, so treat this as a guide, not official pacing.
  1. 1

    Exploring sound and song

    Students start the year listening closely to music and learning to copy short rhythms and tunes. They notice loud and soft, fast and slow, and try out their singing voices in class.

  2. 2

    Making up music

    Students invent their own short patterns of sound, using voices, claps, or simple instruments. They draw on songs they know and ideas from their own lives to come up with something new.

  3. 3

    Shaping a piece to perform

    Students pick a song or pattern they want to share and practice it until it sounds the way they want. They learn that performing takes choices about what to keep, what to fix, and how to play it.

  4. 4

    Sharing music with others

    Students perform for classmates and talk about what a song means to them. They also listen to music from different places and times, and say what they like, what they notice, and why.

Mastery Learning Standards
The required skills a student should display by the end of Grade 1.
Connecting
  • Synthesize and relate knowledge and personal experiences to make art

    Students connect what they already know and what they've lived through to the music they make or respond to.

  • Relate artistic ideas and works with societal, cultural

    Students connect a song or piece of music to the time, place, or people it came from. Learning where music belongs in the world helps students understand why it sounds and feels the way it does.

Creating
  • Generate and conceptualize artistic ideas and work

    Students come up with their own musical ideas, like inventing a short melody or a rhythm pattern, and start turning those ideas into something they can sing or play.

  • Organize and develop artistic ideas and work

    Students take a musical idea, like a short rhythm or melody, and arrange it into a simple song or pattern they can share with others.

  • Refine and complete artistic work

    Students revisit a song or rhythm they made and change what isn't working until it sounds the way they want. They finish the piece and share it as complete work.

Performing/Presenting/Producing
  • Analyze, interpret, and select artistic work for presentation

    Students choose a song or piece of music to perform and explain why they picked it.

  • Develop and refine artistic techniques and work for presentation

    Students practice a song or rhythm until it sounds the way they want it to. They learn that performers rehearse and improve before sharing their music with others.

  • Convey meaning through the presentation of artistic work

    Students perform a song or rhythm for others and make choices, like how loud or soft to sing, that match the feeling of the music.

Responding
  • Perceive and analyze artistic work

    Students listen to a short piece of music and describe what they notice, such as whether it is fast or slow, loud or quiet, or happy-sounding or sad.

  • Interpret intent and meaning in artistic work

    Students listen to a short piece of music and explain what feeling or story it seems to tell. They back up their idea with something they actually heard, like a fast beat or a quiet melody.

  • Apply criteria to evaluate artistic work

    Students listen to a piece of music and decide what they like about it, using a simple reason like "the beat is fast" or "the instruments are quiet." They practice saying why something sounds good, not just that it does.