Sketchbooks and first ideas
Students start the year filling a sketchbook with rough ideas drawn from their own lives. They learn that art begins with noticing things and jotting them down, not with a finished picture.
This is the year art shifts from making projects to making choices on purpose. Students plan their own pieces, pulling from personal experience and what they see in the world around them. They learn to revise their work, talk about why an artist made certain choices, and judge art using clear reasons. By spring, students can pick a finished piece, explain what it means, and show how they shaped it from a first idea.
Students start the year filling a sketchbook with rough ideas drawn from their own lives. They learn that art begins with noticing things and jotting them down, not with a finished picture.
Students take a rough idea and turn it into a real piece, trying different materials and making changes as they go. Expect drafts, do-overs, and projects that look different at the end than they did at the start.
Students study artwork from different cultures and time periods and talk about why people made it. They start connecting what they see in a museum or online to what they are making in class.
Students slow down and look closely at a piece of art, then explain what they think it means and why. They also learn to give honest feedback using clear reasons, not just likes and dislikes.
Students polish a few pieces and get them ready to share, whether on a hallway wall, in a class show, or online. They think about how the way a piece is displayed changes what a viewer takes away from it.
Students pull from what they already know and what they have lived through to make choices in their artwork. Personal experience becomes the raw material.
Students look at a painting, sculpture, or other artwork and connect it to the time period, place, or culture it came from. That context helps explain why the work looks the way it does and what it meant to the people who made it.
| Standard | Definition | Code |
|---|---|---|
| Synthesize and relate knowledge and personal experiences to make art | Students pull from what they already know and what they have lived through to make choices in their artwork. Personal experience becomes the raw material. | VA:Cn10.6 |
| Relate artistic ideas and works with societal, cultural | Students look at a painting, sculpture, or other artwork and connect it to the time period, place, or culture it came from. That context helps explain why the work looks the way it does and what it meant to the people who made it. | VA:Cn11.6 |
Students brainstorm and develop original ideas before starting a piece of art, sketching out concepts and making early choices about what they want to create.
Students take a rough idea and work it into a finished piece, making choices about composition, materials, and technique along the way.
Students review their own artwork and make deliberate changes before calling it finished. The goal is a piece they can explain and stand behind.
| Standard | Definition | Code |
|---|---|---|
| Generate and conceptualize artistic ideas and work | Students brainstorm and develop original ideas before starting a piece of art, sketching out concepts and making early choices about what they want to create. | VA:Cr1.6 |
| Organize and develop artistic ideas and work | Students take a rough idea and work it into a finished piece, making choices about composition, materials, and technique along the way. | VA:Cr2.6 |
| Refine and complete artistic work | Students review their own artwork and make deliberate changes before calling it finished. The goal is a piece they can explain and stand behind. | VA:Cr3.6 |
Students look at a collection of their own artwork, decide which pieces are strong enough to share with an audience, and explain why those pieces belong together.
Students revise and improve their artwork before presenting it, making deliberate choices about technique and finish until the work is ready to share.
Students choose how to display or share finished artwork so the viewer understands what the piece is about. The arrangement, setting, and framing all shape what the work communicates.
| Standard | Definition | Code |
|---|---|---|
| Analyze, interpret, and select artistic work for presentation | Students look at a collection of their own artwork, decide which pieces are strong enough to share with an audience, and explain why those pieces belong together. | VA:Pr4.6 |
| Develop and refine artistic techniques and work for presentation | Students revise and improve their artwork before presenting it, making deliberate choices about technique and finish until the work is ready to share. | VA:Pr5.6 |
| Convey meaning through the presentation of artistic work | Students choose how to display or share finished artwork so the viewer understands what the piece is about. The arrangement, setting, and framing all shape what the work communicates. | VA:Pr6.6 |
Students look closely at a piece of art and explain what they notice: the choices the artist made, how the work is put together, and what effect those choices create.
Students look closely at a piece of art and explain what the artist was trying to say. They back up their reading with specific details from the work itself.
Students look at a piece of artwork and judge it using a set of criteria, explaining why it succeeds or falls short. It's the difference between "I like it" and "here's why it works."
| Standard | Definition | Code |
|---|---|---|
| Perceive and analyze artistic work | Students look closely at a piece of art and explain what they notice: the choices the artist made, how the work is put together, and what effect those choices create. | VA:Re7.6 |
| Interpret intent and meaning in artistic work | Students look closely at a piece of art and explain what the artist was trying to say. They back up their reading with specific details from the work itself. | VA:Re8.6 |
| Apply criteria to evaluate artistic work | Students look at a piece of artwork and judge it using a set of criteria, explaining why it succeeds or falls short. It's the difference between "I like it" and "here's why it works." | VA:Re9.6 |