Moving and exploring
Students start the year by exploring how their bodies can move. They try big and small movements, fast and slow, and notice how dancing feels different from walking or running.
This is the year movement becomes a way to tell a story. Students explore how their bodies can stretch, bend, and travel through space, and they start to notice how a dance can show a feeling or an idea. They make up short movements, practice them, and share them with the class. By spring, they can perform a simple dance and say what it was about.
Students start the year by exploring how their bodies can move. They try big and small movements, fast and slow, and notice how dancing feels different from walking or running.
Students begin inventing their own movements based on ideas they care about, like animals, weather, or a favorite story. Parents might see them turn a song at home into a little dance.
Students put movements together in an order and practice them. They learn that a dance has a beginning and an end, and they get better at remembering what comes next.
Students show their dances to classmates and watch others perform. They start to talk about what they saw, what the dance made them feel, and what the dancer might have been showing.
Students connect something from their own life to what they do in dance class, like moving the way rain falls or the way they feel on a big day.
Dancing is connected to the world around it. Students begin to notice that different dances come from different people, places, and traditions.
| Standard | Definition | Code |
|---|---|---|
| Synthesize and relate knowledge and personal experiences to make art | Students connect something from their own life to what they do in dance class, like moving the way rain falls or the way they feel on a big day. | DA:Cn10.pk |
| Relate artistic ideas and works with societal, cultural | Dancing is connected to the world around it. Students begin to notice that different dances come from different people, places, and traditions. | DA:Cn11.pk |
Students come up with ideas for movement and start turning those ideas into simple dances.
Students choose movements and put them in order to make a short dance. They practice arranging their ideas before sharing them with others.
Students finish a dance they started, making small changes until it feels right.
| Standard | Definition | Code |
|---|---|---|
| Generate and conceptualize artistic ideas and work | Students come up with ideas for movement and start turning those ideas into simple dances. | DA:Cr1.pk |
| Organize and develop artistic ideas and work | Students choose movements and put them in order to make a short dance. They practice arranging their ideas before sharing them with others. | DA:Cr2.pk |
| Refine and complete artistic work | Students finish a dance they started, making small changes until it feels right. | DA:Cr3.pk |
Students pick a dance or movement to share with others and practice showing it the way they want it to look.
Students practice a dance move over and over until they can do it more cleanly. Rehearsing the same step or sequence helps them get ready to show it to others.
Students show a feeling or idea by dancing it out for others to watch.
| Standard | Definition | Code |
|---|---|---|
| Analyze, interpret, and select artistic work for presentation | Students pick a dance or movement to share with others and practice showing it the way they want it to look. | DA:Pr4.pk |
| Develop and refine artistic techniques and work for presentation | Students practice a dance move over and over until they can do it more cleanly. Rehearsing the same step or sequence helps them get ready to show it to others. | DA:Pr5.pk |
| Convey meaning through the presentation of artistic work | Students show a feeling or idea by dancing it out for others to watch. | DA:Pr6.pk |
Students look at a dance performance and share what they notice, like how the dancer moves fast or slow, reaches high or low.
Students look at a dance and say what they think the dancer is trying to show or how the movement makes them feel.
Students pick a favorite dance move and say why they like it. That's the start of learning to judge what makes movement feel good or work well.
| Standard | Definition | Code |
|---|---|---|
| Perceive and analyze artistic work | Students look at a dance performance and share what they notice, like how the dancer moves fast or slow, reaches high or low. | DA:Re7.pk |
| Interpret intent and meaning in artistic work | Students look at a dance and say what they think the dancer is trying to show or how the movement makes them feel. | DA:Re8.pk |
| Apply criteria to evaluate artistic work | Students pick a favorite dance move and say why they like it. That's the start of learning to judge what makes movement feel good or work well. | DA:Re9.pk |
Students move their bodies on purpose to music, stories, and ideas. They try out fast and slow, high and low, big and small movements. Most of the work happens through games, songs, and copying a leader, not formal steps.
Put on music and move around the living room together for a few minutes a day. Ask students to show what a tree, a turtle, or a rainstorm might look like with their body. That kind of pretend movement is exactly the work happening at school.
No. At this age the point is exploring how the body moves, not performing steps correctly. Students who wobble, freeze, or copy others are still learning, and confidence grows with regular chances to move.
Students pick a feeling or idea, like happy, sleepy, or stormy, and show it through movement for others to watch. They also talk about what they saw in a classmate's dance and what it reminded them of. Short sharing moments matter more than polished performances.
Start with body awareness and basic locomotor moves like walking, hopping, and tiptoeing. Move into space, level, and tempo, then layer in short movement stories tied to books, seasons, or feelings. Save simple sharing and audience habits for the last stretch of the year.
Personal space and stopping on a signal take the longest to stick. Plan to revisit them every session through games like freeze dance, statues, and follow-the-leader. Once students can start and stop with control, everything else moves faster.
Students watch short clips or live examples of dances from different families and traditions, then try a movement or two. Inviting families to share a dance from home is a strong, low-prep way to do this. Keep the focus on noticing and trying, not performing accurately.
By spring, students should move safely in a shared space, stop on a signal, and copy a short sequence of moves. They should also be able to show a feeling or idea through movement and say something they noticed in a classmate's dance.